Memoir as Medicine

Writing a Memoir That Matters

 

Memoir writing isn’t just about telling stories—it’s about making sense of your life. When I started looking into memoirs, I came across Memoir as Medicine by Nancy Slonim Aronie. She teaches that writing your story can be healing, and that’s exactly what I want from the process. I’m not just trying to get words on the page—I want to understand my own experiences better and maybe even help others who’ve been through something similar.

 

If you’re thinking about writing your own memoir, here’s what I’ve learned that might help.

 

Start Where It Hurts (or Where It Feels Alive)

 

Aronie says, “If you start with the hardest thing, everything else will be a piece of cake.” That moment that still stings, the memory you avoid thinking about too much—that’s the one that probably needs to be written.

 

It’s not about making yourself suffer. It’s about getting to the heart of what matters. Writing can be a way of getting free of old pain, but only if you’re willing to go deep. I found that once I got the hardest stuff out of the way, the rest of my story flowed more naturally.

 

Try this: Think of a moment in your life that still feels raw. Set a timer for 10 minutes and write everything you can about it. No editing, no second-guessing. Just get it down.

 

Silence the Inner Critic

 

If you wait until you feel “ready” or until you have the perfect words, you’ll never write anything. Aronie reminds us that our inner critic is always waiting to jump in, telling us our writing isn’t good enough. The trick is to ignore it.

 

She says, “The critic is a big liar. The critic is actually afraid that if you get too full of yourself, you won’t need him anymore, so he steps in and discredits you before you even start.”

 

The first draft is supposed to be messy. You can fix the writing later. But if you never get started, there’s nothing to fix. I’ve found that once I give myself permission to write badly, I actually write more honestly—and the honesty is what makes a memoir compelling.

 

Try this: Write a scene from your past as if you were telling a friend. Don’t try to make it literary. Just tell the story as naturally as possible.

 

Write Like You Speak

 

A memoir isn’t an academic paper. It’s not about sounding impressive. The best ones feel like someone is sitting across from you, telling you what really happened.

 

Aronie suggests reading your writing aloud to see if it still sounds like you.

 

She says, “If your writing sounds like you’re trying to sound like a writer, you’re not writing in your voice. And your voice is what makes your story worth reading.”

 

Try this: Record yourself telling a story out loud, then write it down exactly as you said it. See how it feels compared to something you wrote while trying to “sound good.”

 

Trust Your Own Perspective

 

You might worry that people will remember things differently. Maybe they will. But this is your story, not theirs. Memoir isn’t about getting every detail perfectly “right.” It’s about telling the truth as you experienced it.

 

Aronie puts it bluntly: “This is not a deposition.” You don’t need to justify or defend your version of events.

 

Try this: Write about an event from your life, then ask yourself, Am I holding anything back? If so, write the version you’re afraid to write—just for yourself.

 

Make It Specific

 

The best memoirs don’t just say, “I was sad” or “It was a hard time.” They show what happened in a way that lets the reader feel it.

 

Aronie says, “Details are what make a story real. If you say ‘I walked into a room and I was nervous,’ it doesn’t mean anything. But if you say ‘My hands wouldn’t stop shaking. I wiped them on my jeans, but they were still clammy. The air in the waiting room smelled like antiseptic and burnt coffee,’ now we’re in the moment with you.”

 

Try this: Pick a memory and write down as many sensory details as possible—what you saw, heard, smelled, tasted, and felt.

 

Be Willing to Be Surprised

 

Sometimes, writing a memoir takes you in directions you didn’t expect. A memory you thought was one thing might reveal itself to be something else entirely. That’s part of the process.

 

Aronie says, “The story you think you’re writing is never the story you end up writing.”

 

Try this: After writing a scene, step back and ask yourself: What is this really about? Is there a pattern? A deeper emotion underneath?

 

Additional Writing Prompts

 

  • Write about a time when you felt completely out of place. What happened?
  • Describe a moment of unexpected kindness that changed your perspective.
  • Write about a time you had to make a difficult choice. What was at stake?
  • What was a childhood fear you had? Do you still have it?
  • Write a letter to your younger self at a pivotal moment in your life.
  • Describe a place from your past in as much sensory detail as possible.
  • Write about a time you realised you were wrong about something important.
  • What’s a story from your family that has been told over and over?
  • Describe a moment of pure joy. What made it so memorable?

 

Final Thoughts

 

If you’re thinking about writing a memoir, don’t wait for the perfect moment. Just start. Write what feels alive. Be messy. Be honest.

 

Your story is worth telling, and the process of writing it might change you in ways you don’t expect.